Reply To: Mixing with pink noise as a reference

[Tim WatersParticipant]

I tried it on a couple mixes and was so surprised by how well it works that I started to incorporate it into my mix process. The way I do it is turn down all the tracks, engage the pink noise, then solo each track and turn it up until i can barely hear it poke through the noise. It's a pretty cool trick that actually works most of the time.