Here are the drum files with the untreated room:
Kick In: Shure Beta 52 -> CAPI VP-26 -> dbx 160x
Kick Out: Micparts.com S25 -> AML
Snare Top: Shure SM57 -> CAPI VP26 -> dbx160x
Snare Bottom: Shure SM57 -> Focusrite Clarett Pre (Air ON)
Tom 1: Audix D4 -> Focusrite Clarett Pre (Air ON)
Tom 2: Audix D6 -> Focusrite Clarett Pre (Air ON)
OH L (Hat), R (Ride) [46.5" from centre of snare): Marsall 2001 Jolly Mod LDC -> CAPI VP312
Room L (Hat), R (Ride) [121" from snare]: Modified Chinese 121 rip-offs (replaced ribbons and transformers) -> CP5 Mic pres - no colour applied
Room M - AKG414B -> Clarett Pre (Air ON)
Everything is running through a Clarett 8PreX all the 500 series are coming in through a SwissSonic AD24 ADAT out to the Clarett.
Drums Sonor Force 2007: 20" kick, 12" Tom, 16" floor Tom, Snare 14x5" Supraphonic
Heads: Kick: Aquarian Superkick 1 Evans Resonant, TOMS: Evans EC2 top, Resonant Clear bottom, SNARE: Power dot top, evans snare side.
Cymbals: Soultone Gospels 14" hats, 17" & 18" Crash, 22" Ride, 17" FX crash.
Room is 22' wide 33' long with 14' ceilings with 2 4'x8x8" gobos behind the kit to try to take some of the room out of the close mics.
Hopefully this is enough information to paint a picture of what you are hearing in the files.
I'll try to get some pictures for perspective once I clean up everything.
- This reply was modified 7 years ago by Jeff Macdonald.
- This reply was modified 7 years ago by Jeff Macdonald. Reason: forgot the x on the dbx 160x's